We don’t get to simply solve that by supporting queer comics creators. It’s a dangerous time to be queer in America. The simple reality is that the more queer stories and creators at the forefront of comics, the better variety of new, exciting works we get to enjoy. So many of my favorite comic books are either directly or indirectly about queer people, relationships, and community, and vast amounts of my favorite comic book creators identify as gay, lesbian, trans, bisexual or other identifiers in the LGBTQIA+ range. I’m not a part of the community, and there’s a lot I still don’t understand, but I see now that there’s inherent value in marginalized perspectives in story, and there’s worth in supporting the voices that aim to tell them. What did the “queerness” of this work have to do with selling me on the story and artistic vision of the comic book? In the early days of Comic Book Herald, I’d occasionally get promotional Kickstarter emails teasing a “queer sci-fi saga” (or some such), and I’ll fully admit, I did not understand what sexuality had to do with the promotion.
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